What’s an Archive?
Association of Moving Image Archivists (AMIA)
Audiovisual Philosophies and Principles (Ray Edmondson)
International Federation of Film Archives
Society of American Archivists
Best Practices for Identifying and Preserving Your Films/Videos
“How to Preserve Your Films” (Downloadable) (UCLA Film & Television Archive/Sundance/Outfest Legacy Project)
The Film Preservation Guide (Downloadable) (National Film Preservation Foundation)
“Audiovisual Formats: Audiovisual Formats: A guide to identification” (Downloadable) (California Revealed)
“Preserving Your Digital Memories” (Downloadable) (Library of Congress)
Community Archiving Workshop | Resources and La Lotería Audiovisual (Community Archiving Workshop)
Caring for Private and Family Collections (Northeast Document Conservation Center)
Videotape — A Basic Guide (Advanced — Association of Moving Image Archivists)
Little Film (Bob Brodsky and Toni Treadway)
Folkstreams | Video Aids to Film Preservation (Folkstreams)
Filmcare.org (Image Permanence Institute)
Kodak Edge Codes (Robin Williams of the East Anglian Film Archive) For dating your Kodak home movies — you’ll need a lightbox/light source and a loupe or other kind of magnifying glass!
National Film and Sound Archive of Australia | Technical Preservation Handbook
Kodak Movie News, Vol. 3, No. 1, January-February 1955, 4-5.
Film Atlas An interactive guide to every motion picture film format, soundtrack, 3-D and color process ever invented. (International Federation of Film Archives/George Eastman Museum)
Melissa’s “Personal Archiving Best Practices Workshop.” The Learning Center, Palm Springs Public Library, March 9, 2022. (Downloadable.)
Resources on Home Movies and Amateur Filmmaking
The Center for Home Movies (See also Home Movie Day.)
Story-telling Home Movies (Leo Salkin, 1958.)
Background Music And Sound Effects For Your Home Movies (Thomas J. Valentino, Inc., 1960s.)
Background Music For Home Movies Vol. 1 (Folkways Records, 1964)
Preservation Grants
Al Larvick Conservation Fund Preservation Grants
National Film Preservation Foundation Preservation Grants
Digitization Services (A short list)
Pro8mm – Burbank (We know others who have used their services and trust them.)
AV Geeks – Raleigh (We have used their services and can recommend.)
Ping Pong Media – Tucson (We have used their services and can recommend.)
Cruz Moore (Was local, now Kansas City, KS, we’ve used his VHS digitization services. He also does VHS, VHS-C, HI8 & Digital 8 Tapes, Mini DV Tapes, DVCam, BetaCam, DVDs, and MC-60 Audio Tapes.)
BAVC Media – Oakland (We know them, have used them, and trust them.)
Media Burn Archive – Chicago (We know and trust them. Video-centric.)
The MediaPreserve – Pennsylvania (Their work is amazing.)
George Blood – Pennsylvania (We know them and trust them.)
Screen Savers – Kentucky (We know them and trust them.)
EverPresent – Several East Coast locations (We don’t know them, but they’ve been around for decades. Video-centric.)
Digmypics – Gilbert, AZ (We don’t know them, but may be worth a try. They scan home movies at a decent quality.)
Legacy Box – Chattanooga, TN (We’ve not used them. We have seen decent scans of VHS tapes, but they scan small-gauge film at only 640×480 resolution – standard definition, not HD — which is really only good for sharing with family.)
Educational Films/Videos on Home Movies
For best viewing experience, choose the 720p or higher setting on the player. For films in our collection captions in [brackets], whenever possible, include labels from the original item in “quotation marks.”
We include this video in the “Publications and Resources” section because it serves as such a great example of how to capture memories and shared stories from family members (and/or friends) while watching home movies together. Here David Root projects the family’s 1950s 8mm films onto the wall and uses his portable Quasar VH5200RQ video cassette recorder (see DR#3 on our “A Longer Drive” page for how we know that) to record his mother and grandmother narrating and reacting. Footage includes tornado devastation of Higgins and Glazier, Texas, in 1947; a backyard puppet show called “Nip and Tuck” (David Root’s parents, Noah and Elizabeth, were professional, traveling puppeteers under the name “The Steffenettes” in the 1950s — see flyer below), home movies with handmade titles, more puppets, travel, etc. Search for more of his videos by name throughout the website. [Note: We know the approximate year this was recorded because in DR#3 under “A Longer Drive,” Root recorded a video a letter to his parents in which he addresses their letter about they might view their old 8mm home movies. He suggests that next time he comes back to see them they project the films onto the wall and he’ll video record them talking about them. And they did it!]
UPDATE March 2023: Deserted Films donated the David Root videotape collection to the GBLT Historical Society in San Francisco. Here is a link to the finding aid.

UPDATE March 2023: Deserted Films donated the David Root videotape collection to the GBLT Historical Society in San Francisco. Here is a link to the finding aid.



Publications on Home Movies and Nontheatrical Films by Melissa Dollman and Devin Orgeron
Melissa Dollman – Publications
- “’Carol Lane and the Cinematic Life of Shell Oil’s First Living Trademark.” Energy Imaginaries, eds. Marina L. Dahlquist and Patrick Vondereau (University of California Press, forthcoming.)
- “Mobilizing Women In a Few Easy Steps! (A Feminist Triptych).” Video essay, Journal of Videographic Film & Moving Image Studies. [in]Transition: Journal of Videographic Film & Moving Image Studies, 10.3, 2023. This special issue was also discussed on The Video Essay Podcast, Episode 41 (November 23, 2023).
- “Tribesourcing Southwest Films: Counter-Narrations and Reclamation,” KULA: Knowledge Creation, Dissemination, and Preservation Studies on Indigenous Knowledges, co-authored with Dr. Jennifer Jenkins and Rhiannon Sorrell (June 2021).
- “Gone Estray.” Video essay about home movies, [in]Transition: Journal of Videographic Film & Moving Image Studies, 5.4, 2019.
- “Opening The Can: Home Movies In The Public Sphere.” Eds. Martha McNamara and Karan Sheldon. Amateur Movie Making: Aesthetics of the Everyday in New England, 1915-1960 (Indiana University Press, 2017). Winner of Society For Cinema and Media Studies’ 2018 book award for best edited collection.
Devin Orgeron – Publications
- “Learning to Drive: Midcentury Guidance Films and The Middle of the Road Politics of the American Road Movie.” The Global Road Movie. Jose Duarte and Timothy Corrigan, eds. Intellect, 2017: 1-18. (page proofs).
- “Edgar Ulmer, The NTA, and the Power of Sermonic Medicine.” Medical Movies on the Web (sponsored and hosted by The National Library of Medicine and the National Institutes of Health). 2017. (equivalent to 25 pages and peer-reviewed).
- “The Bear Facts: Commercial Archeology and the Sugar Bear Campaign.” With Skip Elsheimer. Films that Sell: Moving Pictures and Advertising. Nico De Klerk and Patrick Vondreau, eds., BFI Cultural Histories of Cinema Series (eds. Lee Grieveson and Haidee Wasson), 2016: 194-208. (50%)
- “Spreading the Word: Race, Religion, and the Rhetoric of Contagion in Edgar G. Ulmer’s T.B. Films.” Learning with the Lights Off: An Educational Film Reader. Devin Orgeron, Marsha Orgeron and Dan Streible, eds. Oxford University Press, 2012: 295-315.
- “A History of Learning with the Lights Off.” With Dan Streible and Marsha Orgeron. Learning With the Lights Off: Educational Film in the United States. Devin Orgeron, Marsha Orgeron and Dan Streible, eds. Oxford University Press, 2012: 15-66. (Work divided in thirds). Winner of Society For Cinema and Media Studies’s 2013 book award for best edited collection.
- “Nothing Could be Finer…?: George Stoney’s Tar Heel Family and the Tar Heel State on film. For a special “Orphan Film Symposium” issue of The Moving Image 9.1 (2009): 161-182.
- “Visual Media and the Tyranny of the Real.” Ed. Robert Kolker. The Oxford Handbook of Film and Media Studies. Oxford University Press, 2008: 83-113.
- “Familial Pursuits, Editorial Acts: Documentaries after the Age of Home Video.” With Marsha Orgeron for special documentary issue of The Velvet Light Trap. Issue 60 (Fall 2007): 47-62. (50%)
- “Mobile Home Movies: Travel and la Politque des Amateurs.” The Moving Image. Vol. 6, No. 2 (Fall 2006): 74-100.
Courses and Workshops
- “Personal Archiving Best Practices Workshop.” Presented by Melissa Dollman. The Learning Center, Palm Springs Public Library, March 9, 2022.
- “Home Movies and American History.” Co-taught by Melissa Dollman and Devin Orgeron. University of California – Riverside/Osher Lifelong Learning Institute (remote). Winter 2022.
- “Protocols Webinar Series (3): Providing Context through Centering Indigenous Voices.” Webinar produced in collaboration with the Society of American Archivists Native American Archives Section and The Association of Moving Image Archivists and hosted by Jennifer O’Neal, with Melissa Dollman, Jennifer Jenkins, Rhiannon Sorrell, and Crystal Littleben, June 2020.
- “The Status of Nonfiction: Documentary (Studies) and Nonfiction Non-Theatrical (Studies).” Workshop. With Joshua Malitsky, Jenny Horne, Melissa Dollman, Devin Orgeron and Alice Lovejoy. Visible Evidence XX, Stockholm, Sweden, August 15-18, 2013.
- “Working with Nontheatrical Archives (workshop).” With Devin Orgeron. Society of Cinema and Media Studies annual conference, March 17-21, 2010, Los Angeles, CA.

